Dark? Edgy? What?
First, what's dark and edgy? There's not a fine line between dark and edgy and... bright and round? Dunno, but it's more of a scale of idealism versus cynicism. And I get why not everything needs to be sugar and sunshine. A well-written anti-hero in a dystopian city can be fun to read too.But on the other hand, dark and edgy is a dangerous tool of storytelling.
The Dangers of Dark and Edgy
There'sDark and edgy is...
- ...always relative. When you darken and edgify (?) a setting, be aware of the initial brightness. I think that, for example, it's perfectly possible to write a dark and edgy My Little Pony story. The thing is that, since it's f-ing My Little Pony, it will still be lighter than, for example, dark and edgy Power Rangers. Or really, pretty much any other dark and edgy thing. It's talking ponies, ffs!
- ...not guaranteeing that it's cool. Yeah, we all love these people in black longcoats shooting each other in a city that doesn't seem to pay its electricity bills. But just because something's dark and edgy, it doesn't mean that it has that cool feeling. Badly-done dark and edgy settings are often just drab and unpleasant. They make you cringe and throw the medium of choice onto the ground in disgust. Sure, there's a market for that, too. On the other hand, cool things can also be light-hearted and funny.
- ...not necessarily realistic. To hell with you, generic first person shooters! Reality is not brown. Or gray. It's green, blue, sometimes beige or maybe hot pink. Sure, brown and gray do exist, but damn, don't overdo it with the gray. And like that, while dark and edgy exist in our world, there's also idealism. Not everything sucks. So, if you're writing dark and edgy, you might end up being worse than the world as it is. That's okay, if it benefits the story. Just... please, be aware of it.
- ...not about gore. Urgh. Also, no Al Gore joke here, sorry. I just hate it how, very often, darker and edgier settings are also bloodier. No. No no no. You can be dark and edgy without throwing blood like it's going out of style. (Which I hope it does.) Blood is like f-bombs. You're not looking more mature or more edgy just because your characters' vocabulary consists of (m)f, a, s, c and similar things. The same goes for dismembering characters. Just because Tarantino could make it look cool, that doesn't mean you can.
- ...full of clichés. That's true for original settings as well as... well, non-original ones. There's tons of pits you can fall into when writing dark and edgy. For an original setting, there's enough stock characters to fill a city with. For dark and edgy versions of existing settings, people either follow common stereotypes for the characters and environment (how often have we seen mushroom-abusing Mario now?!), or, in an attempt to defy that path, derail the setting until it's barely recognizable any more. Do I even have to say why that's bad?
- ...difficult. Hell yes. Writing an independent dark and edgy setting is hard enough. Too less and it's not convincing, too much and it's ridiculous. But darkening and edgifying (!) an existent setting is hard. Even when sticking to the aforementioned things, you can end up messing it up because you started from the wrong end.
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